Emily Vey Duke & Cooper Battersby

The Greatness we strive for, 2006Film still from "Songs of Praise for the Heart beyBeauty Plus Pity, 2008
Beauty Plus Pity, 2008

Single channel video, 16 minutes
13 taxidermic, costumed animals on plinths
Natural maple branch seating structure, approximately 14 feet long

Beauty Plus Pity, 2008Beauty Plus Pity, 2008Beauty Plus Pity, 2008
Beauty Plus Pity, 2008

Single channel video, 16 minutes
13 taxidermic, costumed animals on plinths
Natural maple branch seating structure, approximately 14 feet long

Beauty Plus Pity, 2008

Single channel video, 16 minutes
13 taxidermic, costumed animals on plinths
Natural maple branch seating structure, approximately 14 feet long

Beauty Plus Pity, 2008

Single channel video, 16 minutes
13 taxidermic, costumed animals on plinths
Natural maple branch seating structure, approximately 14 feet long

<i>The Beauty is Relentless</i>. 2010<i>Pain Shall Be No More</i>, 2010Precision, Tenderness and a Willingness to Fail
The Beauty is Relentless. 2010

Mouse and chipmunk bones on cast iron

From: Duke & Battersby
Pain Shall Be No More, 2010

Edition 1/5
Inkjet print
16.5 x 22.5 inches / 42 x 57 cm

From: Duke & Battersby
Precision, Tenderness and a Willingness to Fail

Unlimited Subjectivity Series of 6 inkjet prints
Edition 2/8
14 x 20 inches / 36 x 51.5 cm

From: Duke & Battersby
installation view<i>Turbine</i>, 2010<i>Stockade</i>, 2010
Turbine, 2010

Diorama on handmade wooden plinth: wood, glass, mixed media

From: Duke & Battersby
Stockade, 2010

Diorama on handmade wooden plinth: wood, glass, mixed media

From: Duke & Battersby

Emily Vey Duke and Cooper Battersby perform various roles in their critically acclaimed video productions made as single monitor works and more recently as complete sculptural installations. Their contemporary fables propose that existence is abject, farcical, and messy. Duke and Battersby employ live action footage, scavenged images, and simple animations to create episodic structures that evince a simultaneously utopian and dystopian world view. Duke and Battersby’s work has been described by Cinema Scope writer Jason MacBride as “some of the most witty, charming and yes, sexy, video art this side of Spike Jonze.” More about Emily Vey Duke & Cooper Battersby

Exhibitions
Fantasia: Barrow, Boyle, Duke & Battersby
Duke & Battersby