Jessica Bradley Art + Projects

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More about Hadley + Maxwell

Hadley+Maxwell

EDUCATION

2004 Masters of Arts in Communications (with Distinction), European Graduate School,
1998 Bachelors in Fine Arts, Emily Carr Institute of Art and Design.

SOLO EXHIBITIONS

2010 Baroque Baroque, Jessica Bradley Art + Projects
2009 AKA Gallery, Saskatoon, AB
The lemonade is Weak Like Your Soul, Gottingen Kunstverein, Germany
2008 1+1-1, Jessica Bradley Art + Projects, Toronto
Program, Berlin
2007 1+1-1, Künstlerhaus Bethanien, Berlin
2006 Survival Kit, Canadian Photographic Portfolio Society, Belkin Satellite, Vancouver
Deleted Scenes, Contemporary Art Gallery, Vancouver
2005 We Are Othyrworld, Western Front, Vancouver
The Décor Project, Howard House, Seattle
2004 I Love You I Love You I Love You I Love You, 69 Pender, Vancouver
2003 Décor Project: Sandman, Artspace, Peterborough, Ontario
Décor Project: Project White on White, Ace Art Inc., Winnipeg
2002 Museum of Metaphors, Open Space, Victoria
Intimate Desert, Struts Gallery, Sackville, New Brunswick
2001 Inseparable, Grunt Gallery, Vancouver
2000 Dirty Rats, Access Artist Run Centre, Vancouver
1999 Negotiating Desire, Artspeak Gallery, Vancouver

SELECTED GROUP EXHIBITIONS

2009 SUDDENLY! Douglas F. Cooley Memorial Art Gallery, Reed College, Portland
How Soon in Now, curated by Kathleen Ritter, Vancouver Art Gallery
After Light, curated by Paz Guevara, Radialsystem, Berlin
Nomads, curated by Josee Drouin-Brisebois, National Gallery of Canada
There is No Audience, curated by Adnan Yildiz, Montehermoso Cultural Centre, Spain
2008 Thermostat: Video and the Pacific Northwest, curated by Michael Darling, Seattle Museum
The Subject of Education, curated by Jonathan Middleton, Charles H. Scott Gallery, Vancouver
If We Can’t Get it Together, curated by Nina Montmann, Power Plant, Toronto
Good Gangsters in Town, Taipei Fine Arts Museum
Just Play: Musik als Soziale Praxis, Edith-Ruß-Haus für Medienkunst, Oldenburg, and Kunstraum München, Germany
2007 Where is Contemporary Art? curated by Paz Aburto Guevara, Museu de Arte Contemporânea da Universidade de São Paolo, Brazil
Videolounge, curated by Michael Darling, Art Basel Miami
The Violence of Participation, curated by Markus Miessen, Lyon Biennale, France
De Kist, Noorderzon Festival, Groningen
It’s a Wonderful Life, Owen’s Art Gallery, Sackville
Projections I, Roundhouse Theatre, curated by Cabinet Collective, Vancouver
2006 Habitat, Jessica Bradley Art + Projects, Toronto
Into Black, Western Bridge, Seattle
"I want to show you somewhere", curated by Stephanie Snyder, Douglas F. Cooley Memorial Art Gallery, Reed College, Portland
Pardon Me, Charles H. Scott Gallery, curated by Cate Rimmer, Vancouver
Why I'm So Unhappy, Or Gallery, curated by Michèle Faguet, Vancouver
Wrong Gallery Edition #125, Lobby Gallery, Vancouver
2005 Classified Materials, Accumulations, Archives, Artists, Vancouver Art Gallery
Pardon Me, Liane and Danny Taran Gallery, Saidye-Bronfman Centre for the Arts, curated by Cate Rimmer, Montréal
2004 Organization for Cultural Exchange and Disagreement, curated by Brett Jones and Jonathan Middleton, West Space, Melbourne
2002 Binocular Parallax, curated by Jonathan Middleton and Meg Schiffler, Consolidated Works, Seattle
Pour Occupation Immédiate: Performative Urban Space and Architecture, curated by Daniel Roy, Skol Centre des Arts Actuels, Montréal, PQ, and Jonathan Middleton, Western Front, Vancouver
2001 Human Improvements, Propellor, Vancouver
Sleepyhead (chamber opera), art direction and design, Simon Fraser University Mainstage Theatre, Vancouver
1999 Un/Acceptable, Lump Gallery, Raleigh
Nog a Dod, curated by Jason McLean, Moonbase Gallery, Vancouver
AWARDS & RESIDENCIES

2009 Kunslerhauser Worpswede, Germany.
2008 Duende Studios, Rotterdam, Netherlands.
Artist Residency, PROGRAM, Berlin.
2006 Canada Council International Artist Residency, Künstlerhaus Bethanien, Berlin, (2006-7).
2005 VIVA (Vancouver Institute for the Visual Arts) Award.
2004 Artist Residency, Struts Artist Run Centre, Sackville, NB.
2001 Visual Arts Development Award, Contemporary Art Gallery, Vancouver.

COLLECTIONS

National Gallery of Canada
Vancouver Art Gallery
Canada Council Art Bank
Private collections in Canada and the United States

PUBLISHED WRITINGS AND PROJECTS

-“Find us at the kitchen door.” Art Lies! Issue 57, spring 2008.
-“(the Rest is Missing).” The Capilano Review, Issue 3.4, spring 2008.
-“Schreibtisch Architecture,” in The Violence of Participation. Ed. Markus Miessen, Sternberg Press, December, 2007.
-“(find us at the kitchen door) at the unitednationsplaza.” The fillip review, Projectile Publishing Society, summer, 2007.
-“Visual Essay,” curated by Stephanie Snyder in Back Room Anthology. Ed. Matthew Stadler, Clear Cut Press, Astoria, 2007.
-“The Language of Angels, The Poverty of Words.” Pyramid Power, summer, 2007.
-“What’s Love Got to Do with It: The Broken Heart of Contemporary Art.” Mödart, summer, 2007.
-“Curator: 300 mg Apo-Diazepam.” Centrefold>, Vancouver Review, no. 12, winter, 2007.
-“d’une lutte prolongée.” In World’s Best New Art, edited by Georg Leutner, 58-64, Unreal Projects, Bétonsalon,
Verlag für moderne Kunst Nernberg, 2006.
-"Authorship Set Adrift in Painting," in Brunt Magazine, spring 2006, 10-13.
-“Catachresis: A Smile for Geoffrey.” In The fillip review, insert, Projectile Publishing Society, vol. 1, no. 2, winter, 2006.
-The Red and the Sold of Dots. Exhibition essay for Derek Brunen: SOLD. Vancouver: CSA Space, fall, 2005.
-For Norma: On the Occasion of Clubhouse and the Public Loitering Performances. Vancouver: Access Artist Run Centre, Spring, 2005.
-"Décor Project: Potential Performances.” In Public, no.27, fall, 2004, 168-187.
Tom Wren's Revelations. Vancouver: Grunt Gallery, November, 2004.
-"As if Authorship didn't Exist.” Interview with Nicole + Ryan, in Cahier D’Activité, issue no. 3, fall, 2004, 4-9
-Guide to Listening: The Sackville Waterfowl Park. Brochure, Struts Gallery, Sackville, June, 2004.
-"Dog Day Afternoon" in "Expect Delays.” Prefix Photo, vol. 5 no. 1, May, 2004, 90.
-"Big Picture.” C Magazine, Issue #80, winter, 2004, 49.
-"Fountain Postcards." In Occasional Work and Seven Walks from the Office for Soft Architecture. By Lisa Robertson,
Clear Cut Press, Astoria, 2003, 45-51.
-Speechless: Igor Santizo's 'The Invisible Object (Hands Holding the Void)'. Vancouver: Western Front Publications,
February, 2003.
-"Nothing Without Labour." Vancouver: West Coast Line, 35/2, fall, 2001.
-"Big Fight: The Ladies Afternoon Art Society." Mix Magazine, spring, 2001.
-"Dirty Rats." Mix Magazine, fall, 2000.
-"Inseparable." In endnotes (Artists' Writings). Edited by Janet Bellotto & Ana Rewakowicz, 32-3. Montréal, Rebell, 2000.
-"Pinkorangeblue: A Fairy Tale of Collaboration." Planet of the Arts, December, 1997.

PUBLICATIONS

-Robertson, Lisa, Stephanie Snyder, and Matthew Stadler. “I want to show you somewhere.” Portland: The Douglas F. Cooley Memorial Art Gallery, 2008.
-Fredericksen, Eric. Notes on “Sentences on Conceptual Art, First Draft (Sol LeWitt)”, Or Gallery, Vancouver, 2008.
-Fredericksen, Eric. Endless, Nameless (for 1+1-1). Künstlerhaus Bethanien, 2007.
-Burnham, Clint, Jonathan Middleton, and Melanie O'Brian. The Décor Project. Vancouver: Housework Collective, Projectile Publishing Society, 2006.
-Papararo, Jenifer. Deleted Scenes. Vancouver: Contemporary Art Gallery, 2006.
-Szewczyk, Monika. Silly Love Songs. Vancouver: Atelier Bourgeois, 2004.
-Jones, Brett, and Jonathan Middleton. OCED. Melbourne, Australia: Westspace Inc., 2004.
-Horowitz, Risa. "The Decor Project: White on White." PaperWait, vol.5, 02-03, aceartinc., Winnipeg: 20-1.
-Middleton, Jonathan and Daniel Roy. "Conversation." Centre des arts actuels Skol 2001-2002, Montréal, 2002.
-McIntosh, Lisa. Inseparable. Vancouver: Grunt Gallery, 2001.
-Visagie, Liza and Tom Wren. dirty rats. Vancouver: Access Artist Run Centre, 2000.
-Edelstein, Susan, Kathleen Ritter and Sarah Wakefield. Negotiating Desire. Vancouver: Artspeak Gallery, 1999.

ARTICLES AND REVIEWS

-LaTourelle, Rodney. “1+1+1 on 1+1-1.”(Interview), C Magazine, Issue 97, spring 2008.
-Goddard, Peter. “Hadley+Maxwell riff on Godard collaboration with Mick Jagger.” Toronto Star, Jan. 31, 2008.
-Balzer, David. “Hadley+Maxwel.” Eye Weekly, Toronto, Jan. 31, 2008.
-Hannula, Mika. “The Time it Takes to Think Time,” BE Magazine, Berlin, summer, 2007.
-Everett-Green, Robert. “Art stretches bounds of music and video.” The Globe and Mail, Jan. 20, 2007, R10.
-Lawrence, Robin. “Hadley+Maxwell/Canadian Photographic Portfolio Society.” The Georgia Straight, Nov. 23, 2006.
-Graves, Jen. “Brightness Falls.” The Stranger, Seattle, Oct. 5-Oct. 11, 2006.
-Peters, Sue. “Shadow Play.” Seattle Weekly, Sept. 27-Oct. 3, 2006, 82.
-Hackett, Regina. “Shadows illuminate ‘Into Black’.” Seattle Post-Intelligencer, Sept. 22, 2006, 31.
-Burnham, Clint. "A Capacity for a more stripped down work.” Vancouver Sun, May 11-17, 2006, D22.
-Laurence, Robin. "Show pits the literal against the figurative.” Georgia Straight, April 20-27, 2006, 61.
-Thacker, Martin. "Hadley and Maxwell: Let's just give it up.” Only Magazine, April 15-30, 2006, 13.
-Peck, Aaron. “Archive This.” Doppelganger Magazine, issue 3, January, 2006.
-Hill, Mary Frances. "Creative duo takes collaboration to an art form.” WE, March 30 - April 5, 2006, 13.
-Laurence, Robin. "Pardon Me tests privacy.“ The Georgia Straight, March 30 - April 6, 2006, 60.
-Lehmann, Henry. "Young creators break the rules for the sake of their art.” The Montreal Gazette, Jan. 14, 2006, W2.
-Solomon, Heather. "Pardon Me intrudes on personal space at SBA.” The Canadian Jewish News, Dec. 15, 2005, 37.
-Crevier, Lyne. "Only You: Notre petit monde. Le voisinage ou l'espace prive,...." Ici, Dec. 15-21, 2005, 47.
-Tousignant, Isa. "Polite Invasion: Cate Rimmer's surreptitious dissemination of art....” Hour, Dec. 1-7, 2005, 63.
-Mavrikakis, Nicolas. "Partenariat Pulic-Prive.” Voir, December 1-7 2005, 63.
-Szwewczyk, Monika. "Hadley + Maxwell, Matthews/Cone House, Vancouver." Canadian Art, vol. 22 #4, winter, 2005, 100.
-Salemy, Mo. "Hadley and Maxwell Break Down the Myth...." Interview, Sunday Magazine, no. 2, May, 2005, 12-3.
-Milroy, Sarah. "B.C.'s VIVA award winners unveiled.” The Globe and Mail, Apr. 20, 2005.
-Griffin, Kevin. "Shadbolt Foundation Hands out VIVA Awards.” Vancouver Sun, Apr. 16, 2005.
-Graves, Jen. "Hadley and Maxwell The Décor Project at Howard House." ArtDish, Jan. 31, 2005.
-Farr, Sheila. "Art bests function–even habitability–in makeovers." Seattle Times, Jan. 29, 2005, C2.
-Engelson, Andrew. "Home Improvement." Seattle Weekly, Jan. 26- Feb.1, 2005, 62.
-Fredericksen, Eric. "Art Decorates a Home: Hadley and Maxwell's Relational Aesthetics." Terminal City, Jan. 20, 2005, 17.
-Wagonfeld, Judy. "Hadley + Maxwell's 'redecorating' is rich in meaning." Seattle Post-Intelligencer, Jan. 21, 2005, 16.
-Tower, Katie. "Vancouver Artists Begin Work on Bird Calling Project." Tribune Post, Sackville, May 26, 2004.
-Curtis, Fiona. "Home Makeovers." Cahier d'Activité, no. 2, winter 03/04, 15-18.
-Olson, Christopher. "The Décor Project:White on White." BorderCrossings, no.88, 2003.
-Gillmor, Alison. "Home invasion: the new art of decor." National Post, Saturday, June 7, 2003, SP3.
-Amos, Robert. "Open Space Engages in Monkey Business." Times Colonist,Victoria, Feb. 13, 2003, C9.
-Devuono, Frances. "'Binocular Parallax at Consolidated Works." Artweek, Dec., 2002.
-Hall, Emily. "A Tale of Two Cities." The Stranger, Seattle, Sept. 26, 2002, 27.
-Hackett, Regina. "Binocular Parallax." Seattle Post-Intelligencer, Seattle, Sept. 20, 2002.
-Lehmann, Henry. "When van Gogh lends an ear, listen." The Gazette, Montréal, Apr. 13, 2002.
-Stewart, Craig. "Human Improvements." Terminal City, #13,Vancouver, Sept. 28-Oct.4, 2001.
-Natale, Michele. "Wrapping Up Raleigh." The Spectator, Raleigh NC, Dec.22, 1999, 20.
-Halperen, Max. "Stigma and Enigma." What's Up, North Carolina, Dec. 10, 1999.
-Morton, Julia. "Exhibit Pushes the Limits...." The Chapel Hill News. Chapel Hill, Dec. 5, 1999, B4.
-Ritter, Kathleen “Negotiating Desire.” Mix Magazine, Toronto, June, 1999.