Hadley + Maxwell

Untitled, 2007Colour Field for Charlie, 2008Ok, We'll Try for a Groove (Mick), 2007
Untitled, 2007

watercolour and pencil on apaper

From: Hadley + Maxwell
Colour Field for Charlie, 2008

Vintage Ludwig Snare drum (1967), Wittner mahogany metronome, event carpet, par 56 stage light with tripod and red filter, custom finish.

From: Hadley + Maxwell
A Room For Thought, Floor with stool, 2004Installation viewWhen the Horizon is Upended, 2010
A Room For Thought, Floor with stool, 2004

from The Décor Project, 2002-2006: a series of nine images
C-prints
large prints: 103 x 122 cm (framed)

From: Transfomer
Installation view

Foreground: The Jury, Like the Chorus, Draws its Voice from the Thickness of the Air, 2009
Louis 1X style commode, altered drawer, 12 found radio, electrical cords, sound.

From: Hadley + Maxwell
When the Horizon is Upended, 2010

Altered antique tables, magazine, crochet doily, book, mirror, paper doily, hand-carved wood figure, oil paint

From: Hadley + Maxwell
Baroque Baroque (for Lady Mitford), 2009<i>Idiot Cover</i>, 2010<i>Idiot Cover</i>, 2010
Baroque Baroque (for Lady Mitford), 2009

Single channel video projecton, tripod, mirror, 9.13 looped. Edition of 3

From: Hadley + Maxwell
Idiot Cover, 2010

Collage text on paper, 16 x 8 1/4"

Hadley + Maxwell work in a variety of media including sculpture, video, installation, and sound. Their work is a reflection on the conditions of collaboration, engaging relations between public and private property, cultural history and memory. The couple first started working together when they met at Emily Carr University in Vancouver. They have been exhibiting there work since the late 1990s and have lived in Berlin since 2006. Their writing and image-based projects have appeared in publications including Art Lies!, the Fillip Review, Modart, Public, C Magazine, and Prefix Photo.


Hadley + Maxwell exhibit internationally, with recent solo exhibitions at Kunstverein Göttingen (Germany, 2009); SMART Project Space, Amsterdam (2010); and Samsa, Berlin (2010); and have participated in recent group exhibitions including Invitation to an Infiltration, Contemporary Art Gallery, Vancouver (2010), Manif d'art (Quebec Biennale, 2010), Kurt, Seattle Art Museum, (2010) and It's The End Of The World (As We Know It), La Kunsthalle Mulhouse. France. Their work was also featured in If We Can’t Get it Together at the Power Plant, Toronto (2008), How Soon is Now, Vancouver Art Gallery (2009) and Nomads, National Gallery of Canada, Ottawa (2009).
More about Hadley + Maxwell

Exhibitions
Hadley + Maxwell
Transfomer
Hadley + Maxwell